Annabel Patterson's "Reading Between the Lines" tackles a central topic in literary studies, the "Great Books Debate" and the question of teaching the canon of English literature, providing a moderate stance between the Western canon's radical opponents and its zealous protectors. It aims to mediate between conservative proponents of the traditional approach to literary education, and those who insist that literature is an empty category filled only according to society's needs.

Annabel Patterson's "Reading Between the Lines" tackles a central topic in literary studies, the "Great Books Debate" and the question of teaching the canon of English literature, providing a moderate stance between the Western canon's radical opponents and its zealous protectors. It aims to mediate between conservative proponents of the traditional approach to literary education, and those who insist that literature is an empty category filled only according to society's needs.

Early Modern Liberalism rediscovers an important phase in the development of liberal thought. Despite the fact that 'liberalism' as a term was not applied to political thought or political parties in England until late in the eighteenth century, Annabel Patterson argues that its central ideas were formulated by seventeenth-century English writers in defiance of their society's norms, and then transmitted to the American colonies. The author is particularly concerned with the means and agents of transmission, with those who ensured that the liberal canon would be preserved, expanded, republished and dispersed; for example, the eighteenth-century philanthropist Thomas Hollis, among whose heroes were Milton, Marvell, Locke and Algernon Sidney. Framed by chapters on Hollis and Adams, this book shows what early modern liberals had in common and reopens the transatlantic conversation that began in the seventeenth century.

While the term "liberalism" was not applied to political thought or political parties in England until the late eighteenth century, the author argues that its central ideas were formulated by seventeenth-century English writers in defiance of their society's norms, and then transmitted to the American colonies. In this study Annabel Patterson is particularly concerned with the means and agents of transmission, and with those who sought to ensure that the liberal canon would be preserved, dispersed and republished.

This new study of Andrew Marvell offers a state-of-the-art guide to one of the most intriguing and elusive poets of the seventeenth century. Hero to the eighteenth century for his published defences of parliamentary government and religious toleration, Marvell was friend and defender of Milton, underground author of satires against the Restoration court, paradoxically, promoted by T.S. Eliot for a diametrically opposite set of qualities and achievements - poise, detachment, an ethos both world-excluding and hypercivilised, not to mention the most perfect poems we have on "the figure in the landscape". Annabel Patterson, known for her ability to make serious scholarship engaging, explains how Marvell's complex personality and beliefs produce these contradictory responses. The book provides comprehensive introductions to Marvell's different self-representations, and places the most famous poems, such as The Garden and Horatian Ode, in the dialectic they lose when read only in anthologies.

"Reading Holinshed's Chronicles" is the first major study of the greatest of the Elizabethan chronicles. Holinshed's "Chronicles"--a massive history of England, Scotland, and Ireland--has been traditionally read as the source material for many of Shakespeare's plays or as an archaic form of history-writing. Annabel Patterson insists that the "Chronicles" be read in their own right as an important and inventive cultural history.
Although we know it by the name of Raphael Holinshed, editor and major compiler of the 1577 edition, the "Chronicles" was the work of a group, a collaboration between antiquarians, clergymen, members of parliament, poets, publishers, and booksellers. Through a detailed reading, Patterson argues that the "Chronicles" convey rich insights into the way the Elizabethan middle class understood their society. Responding to the crisis of disunity which resulted from the Reformation, the authors of the "Chronicles" embodied and encouraged an ideal of justice, what we would now call liberalism, that extended beyond the writing of history into the realms of politics, law, economics, citizenship, class, and gender. Also, since the second edition of 1587 was called in by the Privy Council and revised under supervision, the work constitutes an important test case for the history of early modern censorship.
An essential book for all students of Tudor history and literature, "Reading Holinshed's Chronicles" brings into full view a long misunderstood masterpiece of sixteenth-century English culture.

Charles II's first and most important parliament sat for eighteen years without a general election, earning itself the sobriquet "Long." In 1661 this parliament began in eager compliance with the new king. Gradually disillusioned by Charles's maneuvers, however, its members came to demand more control of the economy, religion, and foreign policy, starting a struggle that led to the Exclusion crisis. This lively book is the first full study of this Restoration Parliament. Using parliamentary diaries, newsletters, memoirs, letters from members of parliament, scofflaw pamphlets, and the king's own speeches, Annabel Patterson describes this second Long Parliament in an innovative and challenging way, stressing that how its records were kept and circulated is an important part of the story. Because the parliamentary debates of this age were jealously guarded from public knowledge, unofficial sources of information flourished. Often these are more candid or colorful than official records. Eighteenth-century historians, especially if Whiggish, recycled many of them for posterity. The book, therefore, not only recovers a crucial period of parliamentary history, one that helps to explain the Glorious Revolution, it also opens a discussion about historiographical method.

Patterson follows the fortunes of Virgil's Eclogues from the Middle Ages to our own century. She argues that Virgilian pastoral spoke to the intellectuals of each place and time of their own condition. The study reinspects our standard system of periodization in literary and art history and challenges some of the current premises of modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.

Patterson follows the fortunes of Virgil's Eclogues from the Middle Ages to our own century. She argues that Virgilian pastoral spoke to the intellectuals of each place and time of their own condition. The study reinspects our standard system of periodization in literary and art history and challenges some of the current premises of modernism. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1987.

Annabel Patterson here turns her well-known concern with political history in early modern England into an engine for investigating our own era and a much wider terrain. The focus of this book is, broadly, nationalism and internationalism today, approached not theoretically but through the lens of fiction. Novels are uniquely capable of dealing with abstract problems by embodying them in the experience of persons, thereby rendering them more "real." Patterson takes twelve novels from (almost) all over the world: India, Africa, Turkey, Crete, the Balkans, Palestine, Afghanistan, South America, and Mexico, novels which illustrate the dire effects of some of the following: imperialism, partition, annexation, ethnic and religious strife, boundaries redrawn by aggression, the virus of dictatorships, the vulnerability of small countries, and the meddling of the Great Powers. All are highly instructive, and excellent reads.

Andrew Marvell (1621-78) is best known today as the author of a handful of exquisite lyrics and provocative political poems. In his own time, however, Marvell was famous for his brilliant prose interventions in the major issues of the Restoration, religious toleration, and what he called "arbitrary" as distinct from parliamentary government. This is the first modern edition of all Marvell's prose pamphlets, complete with introductions and annotation explaining the historical context. Four major scholars of the Restoration era have collaborated to produce this truly Anglo-American edition. From the Rehearsal Transpros'd, a serio-comic best-seller which appeared with tacit permission from Charles II himself, through the documentary Account of the Growth of Popery and Arbitrary Government, Marvell established himself not only as a model of liberal thought for the eighteenth century but also as an irresistible new voice in political polemic, wittier, more literary, and hence more readable than his contemporaries.

Andrew Marvell (1621-78) is best known today as the author of a handful of exquisite lyrics and provocative political poems. In his own time, however, Marvell was famous for his brilliant prose interventions in the major issues of the Restoration, religious toleration, and what he called "arbitrary" as distinct from parliamentary government. This is the first modern edition of all Marvell's prose pamphlets, complete with introductions and annotation explaining the historical context. Four major scholars of the Restoration era have collaborated to produce this truly Anglo-American edition. From the Rehearsal Transpros'd, a serio-comic best-seller which appeared with tacit permission from Charles II himself, through the documentary Account of the Growth of Popery and Arbitrary Government, Marvell established himself not only as a model of liberal thought for the eighteenth century but also as an irresistible new voice in political polemic, wittier, more literary, and hence more readable than his contemporaries.

Is history driven more by principle or interest? Are ideas of historical progress obsolete? Is it unforgivable to change one's mind or political allegiance? Did the eighteenth century really exchange the civilizing force of commercial advantage for political conflict? In this new account of liberal thought from its roots in seventeenth-century English thinking to the end of the eighteenth century, Annabel Patterson tackles these important historiographical questions. She rescues the term "whig" from the low regard attached to it; denies the primacy of self-interest in the political struggles of Georgian England; and argues that while Whigs may have strayed from liberal principles on occasion (nobody's perfect), nevertheless many were true progressives. In a series of case studies, mainly from the reign of George III, Patterson examines or re-examines the careers of such prominent individuals as John Almon, Edmund Burke, Sir Joshua Reynolds, Thomas Erskine, and, at the end of the century, William Wordsworth. She also addresses a host of secondary characters, reshaping our thinking about both well-known and lesser figures of the time. Tracking a coherent, sustained, and adaptable liberalism throughout the eighteenth century, Patterson overturns common assumptions of political, cultural, and art historians. The author delivers fresh insights into the careers of those who called themselves Whigs, their place in British political thought, and the crucial ramifications of this thinking in the American political arena.

In this imaginative and illuminating work, Annabel Patterson traces the origins and meanings of the Aesopian fable, as well as its function in Renaissance culture and subsequently. She shows how the fable worked as a medium of political analysis and communication, especially from or on behalf of the politically powerless.
Patterson begins with an analysis of the legendary "Life" of Aesop, its cultural history and philosophical implications, a topic that involves such widely separated figures as La Fontaine, Hegel, and Vygotsky. The myth's origin is recovered here in the saving myth of Aesop the Ethiopian, black, ugly, who began as a slave but become both free and influential, a source of political wisdom. She then traces the early modern history of the fable from Caxton, Lydgate, and Henryson through the eighteenth century, focusing on such figures as Spenser, Sidney, Lyly, Shakespeare, and Milton, as well as the lesser-known John Ogilby, Sir Roger L'Estrange, and Samuel Croxall.
Patterson discusses the famous fable of "The Belly and the Members," which, because it articulated in symbolic terms some of the most intransigent problems in political philosophy and practice, was still going strong as a symbolic text in the mid-nineteenth century, where it was focused on industrial relations by Karl Marx and by George Eliot against electoral reform.

Holinshed's Chronicles - a massive history of England, Scotland, and Ireland - has traditionally been read as the source material for many of Shakespeare's plays or as an archaic form of history writing. In the first major study of this sixteenth-century masterpiece, Annabel Patterson insists that the Chronicles be read in their own right as an important and inventive cultural history. Patterson examines the remarkable collaborative authorship of this history. Although it is known by the name of Raphael Holinshed, editor and major compiler of the 1577 edition, the Chronicles was the work of a group, a collaboration between antiquarians, clergymen, members of Parliament, poets, publishers, and booksellers. Also, since the second edition of 1587 was called in by the Privy Council and revised under supervision, the work constitutes an important test case for the history of early modern censorship. Through a detailed reading, Patterson argues that the Chronicles convey rich insights into the way the Elizabethan middle class understood their society. Responding to the crisis of disunity that resulted from the Reformation, the authors of the Chronicles embodied and encouraged an ideal of justice, what we would now call liberalism, that extended beyond the writing of history into the realms of politics, law, economics, citizenship, class, and gender.